Remote Video Editors for Hire

What your video editor takes off your plate.

Handed over on day one with written SOPs, reported on every day after.

Usually hired by

Creators and coaches publishing weekly on YouTube
Podcasters who want video clips from every episode
Brands running paid social that needs fresh creative
Teams sitting on hours of unused webinar footage

Cut long-form YouTube videos with pacing, b-roll and chapter markers
Turn one recording into clips for Reels, TikTok and Shorts
Add burned-in captions styled to your brand
Clean dialogue, balance levels and remove background noise
Color correct footage and match shots from different cameras
Edit video podcast episodes and export audio-only versions
Cut ad variations with different hooks for testing
Source licensed music and stock footage for each edit
Design YouTube thumbnails and title cards
Organize project files and archive raw footage by shoot date

A day on the seat.

An illustrative schedule. Your specialist's real day is built from your SOPs and priorities.

Works in the tools you already use

Adobe Premiere Pro
DaVinci Resolve
Final Cut Pro
CapCut
Descript
Adobe Audition
Adobe After Effects
Frame.io
Epidemic Sound

09:00
Download new footage and sync multicam audio
09:30
Rough cut of this week's YouTube episode
12:00
Pull five short clips from yesterday's podcast
14:00
Add captions, music and sound cleanup to the clips
15:30
Apply your Frame.io notes to the ad cut
17:00
Export finals, file them and update the content tracker

What you get from this seat.

The same reporting rhythm as every other seat on your team.

Time-coded review links

Every cut is shared in Frame.io or a similar tool, so you leave notes on the exact frame instead of writing long emails.

See a sample day

Platform-ready exports

Finals exported in 16:9, 9:16 and 1:1 with the settings each platform expects, named and filed in your drive.

What they handle

Content tracker

A shared board showing every video from raw footage to published, so you can see what is in progress and what is waiting on you.

Book a call

Two ways to hire a video editor.

Keep a specialist on your team by the hour, or hand over one defined job for one fixed price. Same vetting, same account manager, same daily reporting.

Ongoing seat

Billed hourly

Your video editor works the hours you agree every week, reports at the end of each day and grows with the work. Add hours, add seats or pause as things change.

Weekly hours you choose
End-of-day reports and a weekly review
Scale up, scale down or pause

Book a call for this seat

One-time project

One fixed price

For example: a batch of edited videos, shorts or a podcast season, cut to one brief. Scope, timeline and price are agreed before work starts, and you pay once.

Scope and price agreed up front
Delivered, reviewed and handed over
Pay once, no ongoing commitment

Get a project quote

Video Editing: common questions.

Anything we have not covered, ask us on the discovery call.

Ask a question

How do I send footage?

Upload to a shared Google Drive or Dropbox folder, or have your recording tool sync there. Add a short brief or a reference video and your editor takes it from there.

How many videos can one editor handle?

It depends on length and complexity. A long-form episode takes far more time than a batch of short clips. We estimate volume on the discovery call from your footage and publishing plan.

Do you provide music and stock footage?

Your editor can source from licensed libraries such as Epidemic Sound or Artlist. We recommend the license sits in your business account, so the usage rights stay with you.

Can the editor also do motion graphics?

Editors add titles, lower thirds and simple animated text. For custom animation, logo reveals or explainer videos, add a motion designer under the same account manager.

How is pricing set?

You can keep an ongoing seat billed by the hour, or book a one-time project at one fixed price. Pricing depends on hours and scope. We quote it on the discovery call once we know your publishing schedule.